star wars shift from film to digital techniques

The way movie cameras work is basically unchanged from the last century: light is focused onto a flat plane (whether photochemical film or digital image sensor) that turns the action in front of the lens into a two-dimensional image. When we capture a scene, what are we really doing? In today’s article, we’ll explain what photogrammetry is, explore why it’s already a valuable tool in the creative industry, and discover how it can be used in video workflows of every scale. Simply shooting beautiful footage is no longer enough, and filmmakers should pay attention Today, we’re at the cusp of technical innovation that will change what it means to truly capture a scene. Now, these tools are all commonplace.īut as revolutionary as each of these technologies were in their time, they all do basically the same thing: they turn the living action in front of the lens into a flat, recorded image. And it’s really only in the last 10 years that 4K (and now 8K and even 12K) cameras have become technologically feasible (much less accessible). It wasn’t that long ago that shooting raw video demanded Hollywood budgets, and digital color correction was reserved for only the highest-end studios. In the age of digital filmmaking, these transformative technologies are coming about faster and faster. Then the movie industry responded to television’s popularity with widescreen formats (including Cinerama and CinemaScope) and larger-gauge film (such as 65mm and VistaVision) that helped filmmakers of the 1950s and 1960s enter a new world of creative possibilities.

At about the same time, broadcast TV began delivering live sporting events, variety shows, and other programs to mass audiences. In the 1940s, filmmakers began to embrace color film stocks, which literally added another dimension to cinematic storytelling. Since the dawn of cinema, new technology has come around every few years that radically changes the way we make movies.

Star wars shift from film to digital techniques